I am currently co-curating and coordinating a project titled B-WING with artist Fiona Campbell. Contemporary art installations, poetry, performance and participatory workshops will take place within the walls of the de-commissioned, 400 hundred years old, Shepton Mallet prison as 6 artists and 2 writers respond to the ominous yet emotive, B-Wing. The idea for the project was motivated by the desire to bring contemporary art out of the traditional gallery space and into unusual, unexpected places.
As the months pass and the project unfolds, my initial response of foreboding when entering B-Wing, has transformed into a sense of endearment for the place. One Sunday afternoon spent alone in the space, void of the visiting public, I found myself entering an almost meditative state. This surprised me, as up to that point I had felt nervous about being alone in a place infamously known for its paranormal happenings. Walking each level in preparation for my ritual performance I did, indeed, feel the sensation of not being alone, but it came with no sense of there being anything to fear. In its decay of peeling paint, rusting metals and mould covered cells, the building was accepting of my presence.
My own artworks for the exhibition will be in the form of an installation titled, Skuggi (Shadow) situated inside three Cells (no.s 6, 7, 8) and a cleansing/healing ritual performance. Cell 8 has the reputation of being the most haunted cell in B-Wing, with many prisoners assigned to the cell reporting ghostly experiences. Inspired by the ancient language of Icelandic rune staves (blood magic), I will be spell casting with embroidery.
“Each spell is a creative attempt to undermine any kind of authority and revolutionise the conventional conceptions of society, in order for the individual to regain power over his own existence. Perhaps it is indeed by casting these spells that a cognoscente removes the shackles of society and finds his true natural place in the universe”
From the Sorcerer’s Screed – The Icelandic Book of Magic Spells
The staves called ‘Prisoner Binding’, ‘The Lock Breaker’ and ‘End Strife’ will be presented in a way that ensures a domestic reference within each of the cells. A final stave, which will complete the spellcasting, will be revealed as part of my Cleansing/Healing ritual performance on 28th September at B-WING’s ‘Speical Events’ day.
I am delighted that my ritual performance will be accompanied by the ethereal voices of the Shepton Mallet Natural Voice Singers. Sue Rushforth leads the singer’s group and has lived in Shepton Mallet for over twenty five years. I recently invited Sue to join me in B-Wing, where she presented a sample of possible songs and chants. Sue’s voice filled the vast space as members of the public, visiting the prison that day, stopped to listen for a while quietly, commenting, on how beautiful the sound was. My intention for the performance is to immerse the audience’s senses in scent, sound and visual ceremony.
Further information about the project and the artists involved can be found on the B-Wing website.
The Mothership Artist Residency is run by artist Anna Best. Set in the middle of the beautiful Dorset countryside, the eco log cabin is a haven from the interruptions of the outside world.
Eating, sleeping and working in the same space, brought fluidity to my days spent at the Mothership. I found myself drifting from one activity to another with ease, something that doesn’t seem to happen in my home studio. The work, I had originally intended to focus on for the seven days, did not take place. Instead, a new dreaming and ideas settled in, encouraging me to experiment in unfamiliar ways with familiar mediums.
Inspired by the wildness of the surrounding forest and a copy of singer/songwriter/performance artist, Kate Bush’s book ‘How to be Invisible’ (a birthday gift from my mother) I played with text, sound and digital filters. Many of Kate Bush’s lyrics reference witches and witchcraft.I focused on two songs, The Hounds of Love and Waking the Witch. Working with selected lyrics and presenting them in contrasting realities of the forest outside my window and the digital world. Instagram was used as a virtual gallery, mapping my journey throughout the residency.
I drove to the beach on a day when it did not stop raining. Setting up camp in my car, I ate takeaway chips while listening to Kate Bush songs on the cd player. Allowing tears to flow freely when they came and singing along when I wanted. Following the lyrics of songs word by word, marvelling at the nonsensical poetry of them.
Eye of Braille
Hem of Anorak
Stem of Wallflower
Hair of Doormat
Evenings, at the Mothership were spent listening to podcasts about mental health by Fearn Cotton, Russell Brand, Stephen Fry and Dawn French. This is something I rarely have the opportunity to do in my “ordinary” life. It was a reminder of how important self-care is, especially, with the physical, emotional and psychological conflicts that can arise when being an artist and a mother.